He felt the start of a current that cut his breath for a moment, then went slowly down his body, carrying in its wake a sense of weight, a drained heaviness that left him no capacity but one. He was aware—with an abnormal clarity—of the place, the woman’s name, and everything it implied, but all of it had receded into some outer ring and had become a pressure that left him alone in the center, as the ring’s meaning and essence—and his only reality was the desire to have this woman, now, here, on top of the flatcar in the open sun—to have her before a word was spoken between them, as the first act of their meeting, because it would say everything and because they had earned it long ago.
Atlas Shrugged, at its most dramatic and passionate moments, can often resemble either a harlequin romance or soap opera (p. 520).